PRESENCE


PRESENCE


Into the absence
Inert chaos of nil
A word falls
Fires the cosmos
With pure presence
Extracts from grey nonbeing
Energy of light
Divides it from the dark

Crystal shards
Suffuse the universe
In flowing colour
Reflect in liquid movement
Essence of life
Give shadow from the heat
Retire behind ebony
For the sleep of night

Fists reach and fight
To grasp the rays that seep
Between clenched fingers
And elude all violation
Greedy palms pose concrete tiers
Woven with lies up to the skies
Vain attempt to take light captive
In the prism of cheap desires

Oil-stained hands
Toughened by power
Sinewed
Through manhandling
Mark their spot
A million silhouettes
Deaden the light across the universe
Dealing out absence once again

A pinpoint pierces
The centuries
Insignificant
To the naked eye
Unwelcome presence
Insistent morning star
Invites to the risk
That hope demands

The light at the end
Of the tunnel of this year
Broadens if we dare to look
As it shines on the inertia
Of our own dark places
That have allowed this world.
Eternal constant
Unquenchable source

One day there will be
No sun nor moon
No standard lamp nor neon
No fireworks nor sparklers
No Christmas illuminations
The pinprick of light
Will banish the night
By total presence

Te Deum

 

st-martin-in-the-fields-again

My ย husband Johnย has just finished composing a Te Deum in 12 movements, juxtaposing classical and contemporary modes. Over the months of hearing extracts of the text through the study wall, the music gradually coming into form around it, I’ve grownย more familiar with it, and been asking myself how it computes with our times.

In an age where we believe that mankind is all, and controls all, but are confronted by the weight of the failure of our management of the earthโ€™s resources, global conflict, poverty and migration, the two words, You God, come like a respite, a pause, a glitch in our systems analysis.

You God, words sometimes used in blame, but also in release. Relief in the idea that the energy of the world may be made to move in rhythm with this one thought. You, God.

The Te Deum is an unusual hymn of praise, which doesnโ€™t skirt around the problem of doubt. It also contains concepts that are difficult for us.

Apostles, prophets and martyrs, white-robed or not, sound archaic and severe, particularly in the light of recent hijacking of the term โ€˜martyrโ€™. But these are simply people who will not, in order to save themselves, be false to what they believe to be true. Rare company, these days. It could actually be quite refreshing to hang out with them.

The holy Church has not always done a great job being holy. The term โ€˜holyโ€™ here perhaps says more about how forgiveness and grace work than anything else. But despite it all, the church continues to speak of the mystery of one God whose power is shared and shareable between Father, Son and Holy Spirit, in dynamic movement, without hierarchy, domination or coercion. It speaks of the God our society perceives as irrelevant and remote showing up right here among us, defeating the finality of the death which awaits us all by total self-giving, opening new ways of being, of living, and of seeing, with a limitless future. No mention of geography, race or gender, no small print to sign, no concept of national exceptionalism. Just, โ€˜you opened the kingdom of heaven to all believersโ€™. But… belief is hard.

Belief is also unattractive when it is not accompanied by humility. Asking God to help, to save and to bless, is not staking a claiming some kind of โ€˜rightโ€™ to blessing, but an acknowledgment of frailty and dependence, a request to be kept from messing up yet again, today. ย Rather than culminating in a blaze of triumphant certainty, the Te Deum ends with an acknowledgement of the fragile nature of our trust: you are our hope, God, please donโ€™t let us down.

A lot of us can relate to that.

The image is the East window of St Martin in the Fields church in London, by Shirazeh Houshiary

NEW YEAR SPEED BUMP


NEW YEAR SPEED BUMP


I drag my case over the man-made border 
Between one year and the next 
A sleeping policeman
Lying in the road
Marks time in yellow and black
Opens an eye and speaks 

โ€˜New Year!
No room for baggage!
Ditch it in the past!
Shade your eyes
Against bracing skies
Look resolutely into 
The brand new morning
Of the virgin year!
Get on, get on, get on!โ€™

As I cross into unblemished time
My load has already carved a trace in the soil
Shot through with the double skein silk 
Of joy and bruising, disillusion and hope 
It is heavy and beautiful 
With memory and experience
Acute wonder and the crushing reality
Of life in a world out of sorts with itself
Fragments of past too precious to be left behind

The years at my back outnumber 
Those at my face
The cake will sag with the weight 
Of yet another candle 
But I am not ready to start falling upwards
As the eyes brushing my face
Consign me to the wings reserved for age
I have not finished painting the name you gave me
On the roof of the world
While singing against the wind

DIEU-MOBILE


DIEU-MOBILE


Dieu dit
Jโ€™en ai marre : 
De plus en plus cons
Les hommes creusent la terre
En extraient la moelle,
Minent le sol sous leurs pieds.
Il ne restera plus 
Que des trous du gruyรจre
Dโ€™ici peu. 
Les voilร  assis,  
Enfants sur un manรจge 
Armรฉes jusquโ€™aux dents
Faisant leurs jeux
Rien ne va plus

Faut faire une descente,
Intervention musclรฉe
Leur montrer qui est boss.
Mon Dieu-mobile dorรฉ 
Devrait faire lโ€™affaire
Ce vaisseau spatial 
De la taille des US
XXL
Remplira le ciel
On ne verra que รงa,
Engin dominateur
Ses finitions diamantรฉes
Certes un chouia vulgaires
Sont en plein dans le mille
Du tape ร  lโ€™ล“il quโ€™ils adorent.

Maison Blanche, dโ€™abord ?
Ou alors chez Poutine ?
En tout cas, il me faut
Rediffusion mondiale
De mon speech dโ€™arrivรฉe
Ecran gรฉant encerclant 
Le monde tout entier
Effets spรฉciaux grandioses
Machines ร  fumรฉe
Son et lumiรจre,
โ€ฆ la totale, quoi.

Cรดtรฉ musique
Lโ€™ange compositeur
Doit prรฉvoir du couillu.
Mรฉlange imposant de
Marche militaire Russe
Faรงon Wagner et Orff,
Gรฉnรฉrique Happy End
de film Outre Atlantique
(Vous voyez le moment โ€“
Quand le hรฉros salue
Le toutou aboie 
Et la famille rigole)
Le tout jouรฉ ร  lโ€™orgue
Dโ€™une puissance de tonnerre
Qui envahit lโ€™oreille
Une chorale - 100 000 voix ?
Une commande difficile
โ€ฆ  il va se dรฉbrouiller

Pour parler, il faudra
Un mรฉgaphone mal rรฉglรฉ
Jโ€™ignore pourquoi, 
Mais รงa leur fait de lโ€™effet
Retransmis sur les ondes
Emanant des hauts lieux
Stations tรฉlรฉ, temples, mosquรฉes
Siรจges gouvernementaux
De Bruxelles ร  Beijing
Sydney ร  Toronto
Pour annoncer comme suit :

Jโ€™envoie sur le champ
Une multitude dโ€™anges
Tout vรชtus de blanc 
Et de gilets pare- balles
ONU genre cรฉleste 
(Jโ€™espรจre, plus efficace)
Avec comme atout
Unitรฉ spรฉciale de classe :
Police de la pensรฉe
Pour implanter au besoin
Une puce sous la peau
Qui programme et assure
Quโ€™on se tienne ร  carreaux
Et voilร  les problรจmes du monde
 โ€ฆ Rรฉsolus

Vous mโ€™avez cru ? 
โ€ฆ sรฉrieux ?
Non mais cโ€™รฉtait pour rire
Et dรฉsormais jโ€™en pleure.
Je vois bien que
Vous ne me connaissez pas.

Je ne suis pas celui
Qui impose de loin
Je suis venu chez vous
Dรฉpouillรฉ de toute
Parure dโ€™empire
Par lโ€™amour qui me place
Au-delร  du pouvoir.
Jโ€™รฉtais nu
Enfant de rรฉfugiรฉs 
En territoire occupรฉ
Mes anges ont donnรฉ
Un concert impromptu
Pour des gens 
Sans statut
Dans un bled paumรฉ
Du Moyen Orient

Peu savaient que jโ€™รฉtais lร 
Mais ceux que jโ€™ai croisรฉs
Nโ€™ont pas oubliรฉ.
Jโ€™ai cรดtoyรฉ ceux
Qui marchaient tรชte baissรฉe
Je leur ai montrรฉ les รฉtoiles,
Comment rire, pleurer, aimer.

Jโ€™ai donnรฉ de moi-mรชme
Pour semer une graine
Petite, infinie
Qui prend racine
Au cล“ur de lโ€™existence humaine
Et invite ร  la vie.

Sabbatical Musings

SABBATICAL MUSINGS
Based on reading books by Rowan Williams, Graham Tomlin, Richard Rohr, Susan Cain, and places and people visited.

Much of my sabbatical reading turned out to be connected with issues of power, control, and vulnerability. Not surprising then, that I simply had to take a photo of this massive installation on a wall in the MACBA museum of contemporary art in Barcelona. A lot to chew over in it. You’ll have to click on the picture to see it properlyย (Apologies, collective MACBA exhibition, I cannot find the name of the artist.)

In the last few months, I have read that, strangely enough, the omnipotent God would seem to be beyond power, at least in the sense that we know it.

It is when Christ is stripped of all worldly accompaniment of power that he reveals who he is. Through his unwillingness to wield power to magic up our idea of a happy ending, he achieves, with this seeming โ€˜failureโ€™ that leads to resurrection, something more important than power. โ€˜The recreation of a relationship of trust on the far side of the most extreme of human suffering and deathโ€™.* It would seem that the power of God is the power to love to the point of sacrifice.

This thought is inconvenient to us Christians, because we like the idea of surfing on the power of God, (which we equate with BIG IMPRESSIVE STUFF) as if riding to victory holding on to a dolphinโ€™s fin. But the death of Jesus puts paid to the idea that Godโ€™s power is like ours only bigger, and that we need to cling to it, since he gave it to us. If it is his kind of power he invites us to seek, it is a counter-cultural gift which we are invited to allow to take its place inside us.

The relationship of trust is important to God. He does not coerce like a dictator. Richard Rohr calls Him โ€˜The great allowerโ€™ and says โ€˜we need to forgive God for being too generous in freedomโ€™. Often we want God to just MAKE humans behave right. Or even make US behave right, instead of allowing us perplexing choice? Perhaps this reflects our own desire for control over aspects of our lives that escape us, and over other peopleโ€™s lives, choices and emotions. And how often do we say, โ€˜If Christianity were true, this or that wouldnโ€˜t be happeningโ€™.

So in struggles with idealism, disappointment with areas of failure, I have to remember that God does not impose from the sky, but restores from within. That Jesus takes his stand in the middle of two realities, came to live in our world among chaos and disappointment (Judas was one of his closest friends), and that Christians are called to do the same. We have contradiction at our core but Jesus meets us there, and that is where we need to meet others. The coast at Freswick spoke to me strongly about grace: beauty has emerged in a landscape sculpted by conflict of the elements. โ€˜The crucifixion tells us that God is not dethroned by any extent of failureโ€™*.

How do we find words to convey the reality of this โ€˜unconventional triumphโ€™* of Christ? Our vocabulary is smooth, full of short cuts, media soundbites. How is it that the church speaks so often with a vocabulary of power, rather than from a place of vulnerability? And โ€˜How do we wear our Christian identity โ€˜?+ Like the badge of a club, we have the power to belong, they do not? โ€˜The Christian identity can never be a way of separating myself from others, placing myself against the โ€˜ungodlyโ€™ but an identity which invites me to be for themโ€™+.

While at Lee Abbey I was lent Susan Cainโ€™s book โ€˜The power of introverts in a world that canโ€™t stop talkingโ€™. Susan Cain charts the rise of the Extrovert Ideal throughout the twentieth century, exploring how deeply it has come to permeate our culture and, in one chapter, our churches. A church leader tells her quite frankly that should he receive an application from a pastor who showed up in tests as an introvert (it is illegal to use personality tests in job selection procedures, but that apart) he would reject the application out of hand since Jesus was clearly an extrovert. Really?

The contemporary western church knows the power of extrovert communication, social media, talking up the numbers, and the use of a uniform power-dressed style of music in worship. Is there room for a counter-cultural art that lifts the spirit in a different way? For allowing introverts, and people who have little power, the space to have a voice? How do we account for the power-struggles and spiritual one-upmanship we encounter in our churches? Which way are things happening? The churchโ€™s alternative type of power renewing society, or the church being moulded by societyโ€™s concept of power?

We have visited Barcelona 3 times, and each time the Monastir de Pedralbes, with its angel on aย fountain, singing or conducting into a corner, has moved us. Singing into a corner could actually be not bad, since the sound will bounce back out into the courtyard, but it isnโ€™t guaranteed to give you a great sense of self-worth. Breaking the alabaster flask was also a strange thing to do, a misunderstood gesture of devotion.This Monastery feels like a place in which God has been loved. It would be great to create a musical space, a home, a text, where God has been loved, in which people can wander in a similar way.

There are too many threads that came out of reading and discussion and too many rich experiences to link them all together here. The inexplicably strong sense of Godโ€™s love, in the landscape of Scotland. Meals with friends. A comment on the good wine being last, that the later years of a career can produce the best work. That being wholehearted for God does not represent imprisonment and limitation, but the opposite. An impromptu post-dinner rendering of traditional Basque songs. Being asked to represent in clay the story of our lives. We worked out what motivates us, what stresses us out, and where we need to draw some boundaries. We will need help in that, but in the relationship of trust God chooses to build, we โ€˜dance with a partnerโ€™**, not alone.

I found this phraseย in the chapel of The Society of Mary and Martha, in Devon.
‘Servant Christ, renew your spirit in our hearts’. Seemsย like the kindย of thing we ought to be praying ….

*Rowan Williams: meeting God in Mark and Baptism, Eucharist and Prayer
+Graham Tomlin: Looking through the Cross
**Richard Rohr: Breathing under water

HUSH


HUSH


Certainty knows so loudly
A fighter-jet 
Carving the world
Into soundbites
Mass-produced in bright keys
Belched from its rear end
Filling all space for thought
With static

What if we fell
Through a crack in the noise
Into silence?
No echo of ourselves
To tell us weโ€™re the best
Only the sound
Of God breathing

Would the barking dogs 
That guard our interests
At the gate of our souls
Slope away?

Would we return
To our lives, less sure?
Or would we still
Dressed in suits
Walk unseeing like ghosts
Past the broken displaced
Make our neighbour drink mud
Since he has no shares
In the water we trade
Or the doctor we own

Build our villas on hills
Filled with migrant graves
With cash earned from arms
All this while we cry
โ€˜Jesus savesโ€™
Would we still 
Slit throats in the sun 
Of a Libyan beach
While the surf rolls in
To the sound of a shout 
โ€˜Allahu Akbar?โ€™

We? That was โ€˜themโ€™!
There is no them
In the hush that descends
After the tumbling 
Question mark

A minute of silence
Face to face with nothing
But the whisper of God 
โ€˜You thought that I was like you?โ€™

A TALE OF TWO WORLDS


A TALE OF TWO WORLDS


Fairy tales
Predictable pleasing
Happy end delivered
Folded and pressed
To the good, never ugly
Vistas of rolled lawns
Patchwork fields
Forests grown on request
Ready-clipped to measured height
Protecting those who dwell
In the blessed land of 
Sunny Disposition
On which God beams
Cheshire cat-like
From a safe distance
In his azure sky

Meanwhile, elsewhere

The heart of the world is flawed
Its bedrock grinds and works
Against itself in rage
Earth hits sky
Sea bruises rock
Carves cliffs with sharp blades
Rain drives and pounds the shore
To grains of sand
The earthโ€™s crust folds and buckles
In spikes and crags
That no-one can ride
Forged through the ages
In conflict and passion

These are the rocks
Which rob us of breath
Make us weep as they take us
Beyond ourselves
With their song of constant renewal

Here, God stands 
At the core of contradiction
Molten rock in bare hands
Holding the pain
Energy in chaos
Work without end 
Keeping void from matter 
Heaven alive
At the heart of the earth
Extracts from its depths
Forms of violent beauty
Monuments to exorbitant
Patience and grace

WORDS


WORDS


Words ride on sound-waves 
Across smoky rooms and satellites 
They carve out keys
That unlock underground rivers
And spark dry flints
Into fires that buzz
Hum and ignite ideas
Through towns and continents
We must use them well

Words that are lightweight skitter 
Over the surface of a lake
Skimming the depths that carry them
Or tumble from the jar
Convention requires us to keep
Ready-filled
Like sweets 
Wrapped in bright colours

Words heavy with overuse
Deaden the hymn to
What matters to us most
And make it a thing 
Purchased on special offer
Bulk buy at the chainstore
Vitality crushed
By their limp weight

Words that are barbs 
From which weapons hang
Well-oiled and ready
For the unthinkable
Adorn word palaces 
Made of chicken wire
Listen to the wind whisper
The lie through empty holes
As the edifice slinks and bends 
With the tide 

Cling to words as you cling to life
When they lose their essence
We no longer feel
The world dislocates 
And falls out of joint
With itself

Line them up, slow and deliberate
Lay a path we can walk on
Stones, carefully chosen on a shingle beach
Layered and shaped by the tide
Drawn from the bedrock of history
Where word and being are one